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  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/audiobar-horbar-is-home">
    <title>Hørbar / Audiobar is home </title>
    <link>http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/audiobar-horbar-is-home</link>
    <description>The interactive sound installation Audiobar by Mogens Jacobsen is back home! After travelling between exhibitions for almost a year, the installation is back and has a new permanent home at the Museum of Contemporary art at Roskilde.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div>
<div id="_mcePaste">I first experienced Audiobar some years ago, when it was a part of an exhibition called social_aktion and total_aktion. It was fascinating to experience interaction with the audio via tangible things, using the bottles who are labelled with categories to remix sound art often with very unexpected results. We had so much fun with it and lost track of time playing and experimenting with music by way of the bottles. Sometimes we had the fleeting sensation that we had managed to create a beautiful yet random mixture that would never exist again. Sometimes we were merely making very loud noises and laughing hysterically with joy. A piece that has many layers, not only the provocation of interaction between visitors, but also constituting an interactive archive of several years of sound art, music and performances that the museum possesses which had been difficult to recover, exhibit and experience. Physical computing and tangible interfaces are extremely exciting areas of research and I know we will se much more of it in the years to come, the near future, in both art and life. I highly recommend you pay the charming little museum in Roskilde a visit and play around with it for yourself.</div>
<br /><br />
<div>Mogens Jacobsen is one of the artists working with Netfilmmakers on the upcoming BUGS. Everyone is invited to celebrate the return and homecoming of the artwork, and experience <a class="external-link" href="http://www.mogensjacobsen.dk/showwork.php?pid=10">Audiobar</a> on May 3rd from 17 - 19, in relation to the opening of the new exhibition: <a class="external-link" href="http://samtidskunst.dk/en/view/objekt/?tabel=udstillinger&amp;id=330">"What is contemporary art #2"</a>.</div>
<div>See you there!</div>
<p> </p>
<p><iframe frameborder="0" height="360" src="http://www.youtube.com/embed/HBMVKMz1V7g" width="480"></iframe></p>
<div></div>
<div></div>
<div></div>
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</div>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Asta Gylfadottir</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Mogens Jacobsen</dc:subject>
    
    
      <dc:subject>Interactive</dc:subject>
    
    
      <dc:subject>BUGS</dc:subject>
    
    
      <dc:subject>Artist-talk</dc:subject>
    
    <dc:date>2013-04-30T20:55:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/string-of-ideas-and-inspiration">
    <title>String of ideas and inspiration</title>
    <link>http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/string-of-ideas-and-inspiration</link>
    <description>As we continue to prepare our new project BUGS for the launching next autumn, and devise the workshops that will accompany the project, our intention is to use this blog for the exchange and sharing of ideas and gathering inspiration from all around. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Netfilmmakers has been going through a bit of a silent period. Silent, yet active in a behind-the-scenes kind of manner. As a platform, and as persons, we have evolved and are looking forward to taking on challenges in new forms. There is so much creativity and experimentation going on out there; the digital artworld is virtually buzzing with energy, although it can be arduous to find it when you don't know where to look for. A good place to start might be <a class="external-link" href="http://flavorwire.com/324680/10-net-artists-you-should-know.">this article</a>, which names a few artists working with the internet, both up-and-coming and established.</p>
<p> </p>
<p>An interesting event which took place at the Transmediale this year, caught my attention. It questioned the state of net.art, and asked if <a class="external-link" href="http://www.transmediale.de/content/webvideo-new-netart.">Web.video</a> might be considered the new net.art?</p>
<p>Perhaps anyone who was present would like to elaborate?</p>
<p> </p>
<p>What I find so intriguing, is the clam that internet art is certainly out there, it's everywhere. Artists have always used raw material from their surroundings to interpret, express, explore, experiment with, ask questions, ponder upon and play with. But perhaps the problem lies in the taxonomy, the classification. Debate and discussion on net.art are most often associated with early experiments from the nineties, a specific period of artistic approach. The reason many artists today would not be able to identify with the label, is that they do not consider themselves as on the edge of experimenting with new and unknown technology. The utilization of web video, youtube, facebook, iPads and other tablets, smartphones, networks and so forth, has become so ubiquitous and so integrated into our social and personal existence, most obviously reflected in contemporary artistic production. While I'm not claiming that it is a necessary part of art production, but simply that a certain exploration of identity, means of expression, social relations, survaillance, space etc. the internet remains an interesting, relevant and some what vital medium.</p>
<p> </p>
<p>This is one of the reasons for my passion for the work everyone at Netfilmmakers are doing, the potential of it, and why I am so excited about our new project BUGS, where three great Danish artists are working with the iPad and applications as a platform to create and experience interactive art in very different forms. BUGS will be launched in the autumn of 2013 and more information on the project will emerge in the months ahead.</p>
<p> </p>
<p>The iPad/tablet itself has qualities that differ from a computers screen. It offers a totally different sensory experience, and has become easier to experiment with as they are becoming more affordable and common. Recently, more and more schools have begun to incorporate them into education and explore how the potental of the mobile and interactive can enhance the learning experience and motivate children in a different way. The use of new technology should not be synonymous with turning your mind off — when applied to education in a more active manner, it has the potential to stimulate thought, learning and creativity. Perhaps it is also important to teach children to navigate information, collaborate, share, create and code to prepare them for the brave new world we inhabit.</p>
<p> </p>
<p>Another interesting article on the new touch screen generations can be found <a class="external-link" href="http://m.theatlantic.com/magazine/print/2013/04/the-touch-screen-generation/309250/">here</a>. Personally, I share the authors astonishment, in how competent my three year old son approaches our brand new iPad without slightest complication or confusion. Observing him learn how to count, how to play with and categorize animals and dinosaurs, do complicated puzzles, draw and paint, play memory games and navigate with unbelievable precision and confidence between applications, switching between various platforms and operating systems as if he had been doing it for years. I am certain that this interactive platform does possess aspects and potentials of learning, which we must keep experimenting with in order of understanding it properly.</p>
<p> </p>
<p>While everyone at Netfilmmakers are working hard on their artwork, design, strategies, testing and coding as well as practical planning, I would like to use our blog as an tool for investigation and exploration, to write about what is out there and discuss the potentials further. I would like to use it as a form of communication between us who have dayjobs and other projects going on, and cannot meet and discuss and debate these things as much as we would like. And also to share with you things we find interesting: museums, experiments, projects and artists who share our passion. We would love to get a dialogue going so we welcome feedback and suggestions.</p>
<p> </p>
<p>Feel free to comment below, or send suggestions and ideas to me at asgy@itu.dk</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Asta Gylfadottir</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>iPad</dc:subject>
    
    
      <dc:subject>BUGS</dc:subject>
    
    
      <dc:subject>Educational blog</dc:subject>
    
    <dc:date>2013-04-16T22:50:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/mogens-jacobsen-at-nordic-outbreak-ny">
    <title>Mogens Jacobsen at Nordic Outbreak NY</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/mogens-jacobsen-at-nordic-outbreak-ny</link>
    <description>Mogens Jacobsen is exhibiting his video "Landskaber" (2006/2007) at the NO New York</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Streaming Museum presents <i>Nordic Outbreak</i>, a traveling exhibition of moving image with over thirty nordic artists which launches throughout New York City March 31 to April 6, 2013. The exhibition is curated for public space and organized by  curators Nina Colosi and Tanya Toft. <i>Nordic Outbreak</i> will be viewed as large  projections and on screens in public spaces, on its website, and at  partnering arts, cultural and architectural centers.</p>
<p>Mogens Jacobsen, who will be exhibiting his video "Landskaber" (2006/2007) at the NO New York, is in the amazing company of  Eija-Liisa Ahtila, J Tobias Anderson, Björk, Ken Are Bongo, Jeannette  Ehlers, Efterklang, Jette Ellgaard, Jessica Faiss, Marit Følstad, Søren  Thilo Funder, Sigurdur Gudjonsson, Styrmir Örn Gudmundsson, Eva-Mari  Haikala, Iselin Linstad Hauge, Kaia Hugin, Hanne Ivars, Mogens Jacobsen,  Vibeke Jensen, Jesper Just, Hannu Karjalainen, Antti Laitinen, Dan  Lestander, Una Lorenzen, Pernille With Madsen, Dodda Maggy, Eva Olsson,  QNQ/AUJIK, Miia Rinne, Egill Saebjornsson, Magnus Sigurdarson, Birgitte  Sigmundstad and Superflex.</p>
<p>In the fall 2013 <i>Nordic Outbreak</i> will visit the Danish Architecture Centre (DAC)  in Copenhagen with a program of Streaming Museum and curated by Tanya Toft  and Jacob Lillemose. The exhibition at DAC thematically expands on an  architectural dimension of interface aesthetics and digital moving  images in an urban context.</p>
<p>Nordic Outbreak is produced in collaboration with Nordic curators  Daniela Arriado, Birta Gudjonsdottir, Kati Kivinen, and Jacob Lillemose.</p>
<p><img alt="Mogens-Jacobsen_Landskaber_web" class="alignnone  wp-image-500" height="300" src="http://nordicoutbreak.streamingmuseum.org/wp-content/uploads/Mogens-Jacobsen_Landskaber_web.jpg" width="600" /></p>
<p>Jacobsens <i>Landskaber </i>shows what reminds us of a landscape passing by a train  window. After a while the lines are getting displaced. The field becomes  the sky and vice versa. Gradually, the spatial representation of a  landscape disappears and the screens become living stripes, which the  spectator battles to preserve as one total structure. What we thought  was a form of nature is revealed as only a screen formed by our own  ideas. In this work, the artist removes defining layers from new media:  the screen-image, the interface and the interaction. What remains is a  kernel of computation.﻿﻿</p>
<p><img alt="Landskaber" class="image-inline" src="../../../image-archive/landskaber" /></p>
<p><img alt="Mogens Jacobsens &quot;Landskaber&quot; udstillet under Manhattan Bridge i New York 2013 i udstillingserien NORDIC OUTBREAK." class="image-inline" src="http://www.netfilmmakers.dk/network/blogs/curatorial/mogens-jacobsen-at-nordic-outbreak-ny/Landskaber_MOgens_NY_13.jpg" /></p>
<p><a class="external-link" href="http://www.mogensjacobsen.dk">http://www.mogensjacobsen.dk</a><a href="http://www.nordicoutbreak.streamingmuseum.org" target="_blank"><br />www.nordicoutbreak.streamingmuseum.org<br /> </a><a href="http://www.streamingmuseum.org" target="_blank">www.streamingmuseum.org</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2013-04-01T20:00:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/the-silent-age">
    <title>The Silent Age</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/the-silent-age</link>
    <description>New game "The Silent Age" released in App Store. Thomas Ryder, the cool game designer, has previously released "Neon Zone" in App Store also produced by the Indie gameproduction company House on Fire.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>The newly released point-and-click adventure game "The Silent Age" has just been featured on the  App Store! Go grab it on the App Store <a href="https://itunes.apple.com/dk/app/id580991034" target="_blank" title="The Silent Age Episode One">here</a>. It's  free. Yeah!<span><b><a href="http://thesilentage.com/blog/"><span> </span></a></b></span></p>
<p> </p>
<p>Thomas Ryder, who is exhibiting in Netfilmmakers upcoming BUGS, has created the game design, level design, graphics, music and most of the story for the game.</p>
<p> </p>
<p><b>Description:</b> "It’s 1972. Love is free.  Flipflops, English leather and bandanas are  the height of fashion.  Meanwhile the Cold War is more than lukewarm and  a real one is going on  overseas. Movements are happening.  Environmentalists, the female  liberties movement, and on the dance  floors an entirely different kind  of movement is overtaking the  underground clubs. The winds of change are  certainly blowing over the  country."</p>
<p> </p>
<p><img height="532" src="http://thomasryder.files.wordpress.com/2012/09/hospital_upstairs_office_past.png?w=710&amp;h=532" title="Hospital Office past" width="710" /></p>
<p><img class="alignnone size-full wp-image-344" height="532" src="http://thomasryder.files.wordpress.com/2012/09/030_computer_room.png?w=710&amp;h=532" title="030_computer_room" width="710" /></p>
<p> </p>
<p><iframe frameborder="0" height="315" src="http://www.youtube.com/embed/Wnm1W4ICOVY?rel=0" width="420"></iframe></p>
<p> </p>
<p>Read more: <a class="external-link" href="http://thesilentage.com/blog/"><br />http://thesilentage.com/blog/</a><br /><a class="external-link" href="http://www.houseonfire.dk/">http://www.houseonfire.dk/</a></p>
<p> </p>
<p>Game app design both for iPhone and iPad<br /> <a href="https://itunes.apple.com/dk/app/id580991034" rel="nofollow nofollow" target="_blank"><span>https://itunes.apple.com/</span><span class="word_break"> </span>dk/app/id580991034</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>iPad</dc:subject>
    
    
      <dc:subject>blog</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>Bugs</dc:subject>
    
    
      <dc:subject>Thomas Ryder</dc:subject>
    
    
      <dc:subject>game</dc:subject>
    
    
      <dc:subject>game design</dc:subject>
    
    <dc:date>2013-03-05T11:05:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/mimics">
    <title>Mimics</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/mimics</link>
    <description>MIMICS is an interactive story for kids age 11-15 by Thomas Ryder. The story is part of BUGS, an online exhibition on iPad curated by NetfilmMakers/Annette Finnsdottir.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<blockquote class="pullquote">Thomas Ryder is working on his interactive story for kids age 11-15 for BUGS, an online exhibition on iPad.</blockquote>
<p>The exhibition is launching in early fall 2013, but he is pretty far already working on his prototype, which he designs and programs himself.</p>
<p> </p>
<p>MIMICS is about teenage life and in particular the disguises that teenagers put on in order to hide their true identity, to gain social status or to shield themselves from emotional damage. The story takes place in a minimalistic dream world where magic and superpowers are part of everyday life. The inhabitants of the world are strange teenage creatures whose physique and powers are exaggerated manifestations of their inner emotional struggle.</p>
<p> </p>
<p>MIMICS focuses on 4 archetypes: A girl who wants to become invisible, a vampire boy who uses disguises to ensnare his victims, a girl made of ice and a boy whose fragile porcelain skin hides an evil alternate personality.</p>
<p> </p>
<p>Each of the four archetypes has their own story, which takes place in the same time and space as the other archetypes’ stories. They occasionally meet each other, and the meeting affects both their own story as well as the other archetype’s story. The viewer can choose to follow one archetype’s story from beginning to end, but when the archetypes’ stories occasionally meet, the reader may choose to ‘change track’ and instead follow a different archetype’s story.</p>
<p> </p>
<p>The story is unfolded as a game in which the viewer has to find and activate key points on the screen. A key point may be an eye, a mouth or a character. Successfully tapping a key point activates either an animation or skips to the next page in the story. Certain non-interactive elements, such as eyes, mouths and other objects can be freely moved around on the screen, allowing the viewer to freely rearrange the graphics.</p>
<p> </p>
<p><b>MIMICS Gameplay:</b></p>
<p><iframe frameborder="0" height="315" src="http://www.youtube.com/embed/5-oxCUw0ogc?rel=0" width="420"></iframe></p>
<p> </p>
<p><b>MIMICS Teaser:</b></p>
<p><iframe frameborder="0" height="315" src="http://www.youtube.com/embed/E-cYAccc_Fw?rel=0" width="420"></iframe></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>iPad</dc:subject>
    
    
      <dc:subject>blog</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>Annette Finnsdottir</dc:subject>
    
    
      <dc:subject>artwork-text</dc:subject>
    
    
      <dc:subject>Bugs</dc:subject>
    
    
      <dc:subject>Thomas Ryder</dc:subject>
    
    
      <dc:subject>exhibition</dc:subject>
    
    
      <dc:subject>artwork</dc:subject>
    
    <dc:date>2013-02-24T14:45:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/robo-bugs">
    <title>Robo-Bugs</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/robo-bugs</link>
    <description>Race to create insect cyborgs.
New interesting book: Frankenstein's Cat: Cuddling Up to Biotech's Brave New Beasts by Emily Anthes published by Oneworld</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>The US military has been hoping to develop "micro air vehicles" – ultra-small flying robots capable of performing surveillance in dangerous territory and In 2006 the US Defense Advanced Research Projects Agency (Darpa) asked  America's scientists to submit "innovative proposals to develop  technology to create insect-cyborgs".</p>
<p>A lot of interesting research has been done in this area and the most controversial are Greg Gage and Tim Marzullo, a pair of former neuroscience postdoctoral fellows, who in 2009 established<a href="http://backyardbrains.com/"> Backyard Brains</a>,  a company that sells low-cost kits that will turn any interested  amateur into a neuroscientist.</p>
<p>Their first  product was a little contraption known as the SpikerBox, a  device which lets customers observe neural  firing in a cockroach in real time. The procedure is simple: just insert two needle-like electrodes  into a cockroach's leg, and the SpikerBox will do the rest, amplifying  the electrical activity of the insect's neurons and transmitting it to  an attached computer or smartphone as that characteristic visual pattern  of peaks and valleys.</p>
<p>For their second product, Gage and Marzullo  decided to push the boundaries  further, to venture beyond brain  observation and into brain control. Taking inspiration from the world of  cyborg animals, they created a kit that provides their customers with  all the tools they need to take over the nervous system of a living  cockroach.</p>
<p>Read more: <a class="external-link" href="http://www.guardian.co.uk/science/2013/feb/17/race-to-create-insect-cyborgs">http://www.guardian.co.uk/science/2013/feb/17/race-to-create-insect-cyborgs</a></p>
<p>New interesting book about this topic: <br />Frankenstein's Cat: Cuddling Up to Biotech's Brave New Beasts by Emily Anthes published by Oneworld</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Kassandra-Wellendorf</dc:subject>
    
    
      <dc:subject>Annette Finnsdottir</dc:subject>
    
    
      <dc:subject>Bugs</dc:subject>
    
    
      <dc:subject>blog</dc:subject>
    
    
      <dc:subject>Thomas Ryder</dc:subject>
    
    
      <dc:subject>Mogens-Jacobsen</dc:subject>
    
    <dc:date>2013-02-24T10:55:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/bugs">
    <title>BUGS</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/bugs</link>
    <description>Netfilmmakers upcoming 23.rd edition curated by Annette Finnsdottir
Artists: Kassandra Wellendorf, Mogens Jacobsen og Thomas Ryder.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span id="result_box"><span class="hps">The focal point for Netfilmmakers 23.rd edition</span> <span class="hps">is the dissemination of</span> <span class="hps">interactive video</span> <span class="hps">art</span><span>,</span> <span class="hps">network</span> <span class="hps">art</span> <span class="hps">and</span> <span class="hps">game</span> <span class="hps">art</span> <span class="hps">through</span> <span class="hps">iPad</span><span class="hps"> </span> <span class="hps">to</span> <span class="hps">a specific target group</span> <span class="hps alt-edited">which is</span> children and <span class="hps alt-edited">teenagers. This is a new target group for Netfilmmakers and it is interesting to look at this new area. We are including children in the process by testing and also at the moment considering discussing the art during the production with schoolteachers. We are also interested in looking into previous artworks for this platform and target group. </span></span></p>
<p><span id="result_box"><span class="hps">The exhibition</span><span> </span> <span class="hps">will</span> look at the <span class="hps"> </span><span class="hps"> boundary between</span> <span class="hps">art and</span> <span class="hps">everyday use</span> <span class="hps">of</span> <span class="hps">the platform, for</span> <span class="hps">example</span><span class="hps"> how the</span> <span class="hps">use</span><span class="hps"> </span> <span class="hps">is not always</span> <span class="hps">consistent</span> <span class="hps">with the producer/artist's</span> <span class="hps">intention</span><span>.</span> <span class="hps atn">"</span><span>Bugs</span><span>"</span> <span class="hps">or</span> <span class="hps">unexpected</span> <span class="hps">use</span> might <span class="hps">create</span> <span class="hps">new practices</span> <span class="hps">and</span> <span class="hps">new</span> <span class="hps">experiences</span><span>.</span><br /><br /><span class="hps">An</span> <span class="hps">iPad</span> <span class="hps">is </span><span class="hps">perfect for</span> <span class="hps">entertainment</span> <span class="hps">such as</span> <span class="hps">games, books</span> <span class="hps">and</span> <span class="hps">video, and</span> <span class="hps">why not</span> <span class="hps">art?</span> <span class="hps">With</span> <span class="hps">BUGS</span> <span class="hps">we want to</span> <span class="hps">unfold</span> <span class="hps">but</span> <span class="hps">also</span> <span class="hps">challenge</span> <span class="hps">this platform by confronting </span><span class="hps">the</span> <span class="hps">smooth</span> by jumping to the<span class="hps"> </span> <span class="hps">tension</span><span>,</span> <span class="hps">conflict</span><span>,</span> <span class="hps">the gaps in the system</span><span>,</span> <span class="hps">the crash</span><span>,</span> <span class="hps">contrast, the eavesdropping - and creeping bugs.</span></span></p>
<p><span><span class="hps"><br /></span></span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2013-02-24T09:30:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/interaction-design-foundation">
    <title>Interaction Design Foundation</title>
    <link>http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/interaction-design-foundation</link>
    <description>Interaction Design Foundation
Free educational materials - made by the world's technology elite
 
</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>This resource is amazing and free: in their online encyclopedia you will find chapters about "Persona" written by Lene Nielsen, "Interaction Design" written by Jonas Löwgren, "Disrupted Innovation" by Clayton M. Christensen and a lot more.</p>
<p>The Interaction Design Foundation is founded by <a href="http://www.interaction-design.org/references/authors/mads_soegaard.html">Mads Soegaard</a> in 2002 and later joined by his wife, <a href="http://www.interaction-design.org/references/authors/rikke_friis_dam.html">Rikke Dam</a>.</p>
<p><a class="external-link" href="http://www.interaction-design.org/encyclopedia/personas.html">http://www.interaction-design.org/encyclopedia/personas.html</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2013-02-14T18:45:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/blackboard-intervention-1">
    <title>Blackboard Intervention #1</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/blackboard-intervention-1</link>
    <description>Blackboard Intervention#1
Mogens Jacobsen at the exhibition "Tools of Distorted Creativity" curated by Jacob Lillemose at Transmediale13 — at Haus der Kulturen der Welt.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><iframe frameborder="0" height="315" src="http://www.youtube.com/embed/TInry87i_90?rel=0" width="560"></iframe></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Transmediale</dc:subject>
    
    
      <dc:subject>Art</dc:subject>
    
    
      <dc:subject>Education</dc:subject>
    
    
      <dc:subject>Mogens-Jacobsen</dc:subject>
    
    
      <dc:subject>Intervention</dc:subject>
    
    <dc:date>2013-02-11T15:50:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/blackboard-intervention-2-1">
    <title>Blackboard Intervention #2</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/blackboard-intervention-2-1</link>
    <description>Daniel G. Andujar at the exhibition "Tools of Distorted Creativity" curated by Jacob Lillemose at Transmediale13, Haus der Kulturen der Welt.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><iframe frameborder="0" height="315" src="https://www.youtube.com/embed/xh3OMX2Ixxs?rel=0" width="560"></iframe></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2013-02-11T15:35:28Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/riot-to-remain-silent">
    <title>Riot to remain silent</title>
    <link>http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/riot-to-remain-silent</link>
    <description>Riot (Rapid Information Overlay Technology) is a controversial software that uses social networking sites to track your movements and is able to predict where a person will be and their future behavior. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>RIOT is developed by US defense giant Raytheon and has drawn criticism from civil rights groups. Using public websites for law enforcement is considered legal in most  countries, and Riot will be of interest to intelligence and national  security agencies. In February last year the FBI requested that it  wanted to develop ways of mining social media sites for monitoring “<i>bad actors or groups”. </i></p>
<p>Read more: <a class="external-link" href="https://rt.com/news/software-tracks-predicts-raytheon-878/">https://rt.com/news/software-tracks-predicts-raytheon-878/.</a><br /><a class="external-link" href="http://www.guardian.co.uk/world/2013/feb/10/software-tracks-social-media-defence">http://www.guardian.co.uk/world/2013/feb/10/software-tracks-social-media-defence</a></p>
<p>Cybertracking Demonstration on video: <a class="external-link" href="http://www.guardian.co.uk/world/video/2013/feb/10/raytheon-software-tracks-online-video">http://www.guardian.co.uk/world/video/2013/feb/10/raytheon-software-tracks-online-video</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>monitoring</dc:subject>
    
    
      <dc:subject>privacy</dc:subject>
    
    
      <dc:subject>Surveillance</dc:subject>
    
    
      <dc:subject>security</dc:subject>
    
    
      <dc:subject>law</dc:subject>
    
    <dc:date>2013-02-11T11:15:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/tpb-afk-the-pirate-bay-away-from-keyboard">
    <title> TPB AFK: The Pirate Bay Away From Keyboard </title>
    <link>http://www.netfilmmakers.dk/network/blogs/copy_of_blog-2-example/tpb-afk-the-pirate-bay-away-from-keyboard</link>
    <description>Published on Feb 8, 2013
The documentary about the founders of the Pirate Bay. 
Director Simon Klose</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<blockquote class="pullquote">I kept thinking that there must be ways to build a<br />thriving digital economy that incorporates these new tools rather than criminalizing them.</blockquote>
<p><b>Directors Statement: <br />The Pirate Bay Away from Keyboard</b></p>
<p><b></b>The internet swept in one day and changed my world. The real life thriller of the Pirate Bay founders’ personal microcosmos, that played out in front of my lens between<br />2008-12, embodied the battle of that internet. With TPB AFK I wanted to document a historic drama beyond the copyright debate and tell a human story torn by cyberwar. Ialso wanted to figure out what futures my on- and offline lives were heading towards.</p>
<p>In 2008 I met Peter Sunde at a demonstration against a Swedish anti-terror law that gave the authorities the right to warrantlessly wiretap all Swedish telephone and internet<br />communication. The stories Peter told me about the Pirate Bay kept me awake for days. A week later I was filming a group of artists, hackers and activists that called themselves<br />the Pirate Bureau. They told me they had been friends for years without having met in the flesh. It was a digital community’s first offline meet up ever. Or in their words, away<br />from keyboard. I was mesmerized by their stories.</p>
<p>One reason for making this film was that I couldn’t relate to the media industry’s claim that sharing files was a threat to creativity. To me, the unrestricted access to culture was<br />the very spark in the online revolution, where every imaginable artistic expression exploded with creativity. On one hand, many of my artist friends were suffering from less<br />sales, but on the other, the possibilities to produce, market and distribute their art had fundamentally changed for the better. I kept thinking that there must be ways to build a<br />thriving digital economy that incorporates these new tools rather than criminalizing them.<br />4 years ago I couldn’t imagine that I would sync the premiere of the film with the Pirate Bay founders’ jail sentences. I hope the film raises questions about the court case, and<br />the bigger picture of persecuting a generation of filesharers. To me it’s a legal and moral meltdown to sentence the Pirate Bay architects to a lifetime in debt.</p>
<p>Producing this film has been a thrilling learning process. TPB AFK was shot and cut using affordable digital cameras and editing software, it’s been partly financed with<br />crowdfunding and promoted through social media. By adding a Creative Commons license to my copyright I want to encourage my audience to share and remix the film. I think<br />I will find more revenue streams by making it available everywhere. The learning process is far from over.</p>
<p>That’s the filmmaker narrative I want to be part of, in these exciting times of creative opportunities for artists willing to use the internet to support their independence.<br />Simon Klose, December 2012.</p>
<p>The documentary is partially funded by<a href="http://www.kickstarter.com/projects/tpbafk/tpb-afk-the-pirate-bay-away-from-keyboard" target="_blank"> Kickstarter</a>, where director Simon Klose raised more than $50,000.</p>
<p>Read more:<br /><a class="external-link" href="http://www.tpbafk.tv">http://www.tpbafk.tv</a></p>
<p><a class="external-link" href="http://www.indiewire.com/article/berlin-review-is-the-freely-distributed-doc-pirate-bay-away-from-keyboard-ahead-of-its-time">http://www.indiewire.com/article/berlin-review-is-the-freely-distributed-doc-pirate-bay-away-from-keyboard-ahead-of-its-time</a></p>
<p>Link to the video:<br /><a class="external-link" href="http://www.youtube.com/watch?v=eTOKXCEwo_8">http://www.youtube.com/watch?v=eTOKXCEwo_8</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>network</dc:subject>
    
    
      <dc:subject>privacy</dc:subject>
    
    
      <dc:subject>hacking</dc:subject>
    
    
      <dc:subject>Surveillance</dc:subject>
    
    
      <dc:subject>Alternative</dc:subject>
    
    
      <dc:subject>law</dc:subject>
    
    
      <dc:subject>lawenforcement</dc:subject>
    
    
      <dc:subject>security</dc:subject>
    
    <dc:date>2013-02-10T17:55:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/memoblast">
    <title>Memoblast</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/memoblast</link>
    <description>"Memoblast" a Performance
Tue 29.01.2013 - 17:30 at Transmediale13
with Raquel Meyers, Jacob Sikker Remin and Goto80 </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>One of the things I am looking forward to at this year Transmediale is Jacob Sikker Remin in his performance MEMOBLAST at the opening day of the festival. Together with Raquel Meyers and Goto80 at a fax-based office they  work with conventional office tools such as text editors, fax machine and  spreadsheets to create graphics, music and memos.</p>
<p>Be a part of the performance and fax at +49 30 39787 288.<br /><span class="fbPhotosPhotoCaption" id="fbPhotoSnowliftCaption"><span class="hasCaption">Go to <a href="http://goto80.com/memoblast/" rel="nofollow nofollow" target="_blank"><span>http://goto80.com/</span><span class="word_break"></span>memoblast/</a> for instructions on how to fax without a fax machine</span></span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2013-01-28T17:09:02Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/workshop-curatorial-ego">
    <title>Workshop "Curatorial Ego"</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/workshop-curatorial-ego</link>
    <description>As part of the annual curatorial programme EGO? Århus Kunstbygning hosted a research workshop and a public conference with the theme of the curatorial ego December 9 - 11, 2012.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>I recently joined the workshop with the theme of the curatorial ego at Kunsthal Aarhus (former Aarhus Kunstbygning). The workshop was hosted by the new Artistic Director<b> Joasia Krysa, </b>also funding director of Kurator. And the workshop facilitators was <b>Paul O'Neill</b>,  independent curator and the author of "Curating Subjects" and "The Culture of Curating and the Curating  of Culture(s)" and<b> Livia Paldi</b>, Director of BAC and curatorial agent at dOCUMENTA (13).</p>
<p> </p>
<p>The workshop run by the amazing Livia and Paul introduced the participants - a international mix of phd-students, curators and artists - to the key concepts and terms pertinent to the field including: curating, the curatorial, agency, subjectivity and algorithmic curating. And the key questions were:  What is the new role of the curator today, how does this relate to  research methods and what new models emerge, as the curator attains  celebrity status?</p>
<p>Besides presenting our research and work during the two days workshop our task was the collective writing of a glossary of key concepts, references and case studies placed in an online wiki. We only just started this work which will continue through out the spring 2013.</p>
<p><a class="external-link" href="http://www.kunsthalaarhus.dk">www.kunsthalaarhus.dk</a></p>
<p><a class="external-link" href="http://www.aarhuskunstbygning.dk/english/index.php?option=com_content&amp;amp;view=article&amp;amp;id=304&amp;amp;Itemid=156">http://www.aarhuskunstbygning.dk/english/index.php?option=com_content&amp;view=article&amp;id=304&amp;Itemid=156</a></p>
<p><a class="external-link" href="http://www.kurator.org/people/joasia-krysa/">http://www.kurator.org/people/joasia-krysa/</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2013-01-13T13:30:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>


  <item rdf:about="http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/art-openings-this-week">
    <title>Systemics #1 and Art can't be defined</title>
    <link>http://www.netfilmmakers.dk/network/blogs/netfilmmakers-blog/art-openings-this-week</link>
    <description>Two amazing openings this week:
"Art can't be defined - which I have just done" at Black Box Gallery and "Systemics #1 - Certain Peculiar Things And Ideas, Often Failed (Or, On Humans, Machines And Running Algorithms)" at Kunsthal Aarhus Friday January 11.th.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Two amazing openings this week:</p>
<p>"Art can't be defined - which I have just done" at Black Box Gallery with the artists Mogens Jacobsen, Steen T. Krarup, Jacob Sikker Remin, Zach Layton and Richard Page Leroy Cruce. Opening night Thursday January 10.th 17:00-20:00.</p>
<p><a class="external-link" href="http://www.blackboxgallery.dk/">http://www.blackboxgallery.dk/</a></p>
<p> </p>
<p>And "Systemics #1 - Certain Peculiar Things And Ideas, Often Failed (Or, On Humans, Machines And Running Algorithms)" at Kunsthal Aarhus Friday January 11.th<span>. </span><span><span class="fsl"><span class="text_exposed_show"> The  exhibition explores the persistence of human inventions and its  connection to machines of all kinds. And </span></span></span><span>it will be the start up of the </span>Systemics Series which will run for the next two years. This exhibition programme is developed by Vicente Matallana og Joasia Krysa, the new creative directors of Kunsthal Aarhus. Ada Lovelace (1815-1852) is one of the main figures in the exhibition and one of my absolute favourites in computer history.</p>
<p><a class="external-link" href="http://www.aarhuskunstbygning.dk">http://www.aarhuskunstbygning.dk</a></p>
<p> </p>
<p><span><span class="fsl"> </span></span></p>
<div class="text_exposed text_exposed_root" id="id_50ec7a36b17bc4727880154"><span class="text_exposed_show"> <br /> </span></div>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Annette Finnsdottir</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2013-01-08T20:20:00Z</dc:date>
    <dc:type>Blog Entry</dc:type>
  </item>





</rdf:RDF>
